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      <image:title>ARTISTS - coming soon</image:title>
      <image:caption>soft fiction projects</image:caption>
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      <image:title>ARTISTS - coming soon</image:title>
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    <image:image>
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    <image:image>
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      <image:title>ARTISTS - coming soon</image:title>
      <image:caption>susan Connolly</image:caption>
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    <image:image>
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      <image:title>ARTISTS - coming soon</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1617725848938-I36B5NOAQKWYWWI8TNAC/jan6.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH - JAN MCCULLOUGH WORKS WITH PHOTOGRAPHY, MOVING IMAGE, SCULPTURE AND INSTALLATION. HER WORK EXPLORES HOW THE PHOTOGRAPHIC IMAGE CAN BE USED TO CONSTRUCT AND PRODUCE NEW INDIVIDUAL AND COLLECTIVE EXPRESSIONS OF SELF.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1622812580178-XWX8I8BORF3E6A6LBIUF/JanMcCullough_Install1b.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH</image:title>
      <image:caption>#2 from the series Constructions, 2019, Jan McCullough, 72cm x 58cm, Framed archival pigment print (dibond mounted)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1617723363726-T8GLETYSAWE7VXXV51QF/jan5.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH</image:title>
      <image:caption>Sketchbook for Tricks of the Trade, 2020, Jan McCullough, Colour palette: biro blue, voltage red, docket pink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1617722394304-90GEH3JHKP5KM2NFRK3E/jan.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH</image:title>
      <image:caption>An installation of shot of Tricks of the Trade, Jan McCullough, The Centre for Contemporary Art, Derry/Londonderry, Northern Ireland, in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1617722934762-SUPCRZQ4OCRTRE97JJI8/jan4.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH</image:title>
      <image:caption>Install at CCA, Derry/Londonderry (Instagram 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/969d5a02-efe9-4c1c-8b3f-d0a193ff77a2/_K8A4652%2Bcopy.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1617722747506-ADFKP9S33N9NABXITQOQ/jan3.jpg</image:loc>
      <image:title>ARTIST JAN MCCULLOUGH</image:title>
      <image:caption>Remote Residency for Lightwork in Syracuse, New York, 2020-2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-hannah-casey-brogan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620218590137-NE0JNVNBYJEEV2URXZ8Z/han7.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN - Hannah Casey-Brogan makes small-scale landscape paintings and drawings. The scale of her work, somewhere between the size of a postcard and an airplane window, invite an intimate viewing experience.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1622804668576-15Y80DEKOLBX2B1BFP93/20210320+Household+031_150.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN</image:title>
      <image:caption>Desert Varnish, 2018, Hannah Casey Brogan, 10 x 20 cm, Oil paint on poplar wood</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620222503853-R67YM38Q6HI0V5VSXCH1/han2.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN</image:title>
      <image:caption>An installation shot of work LOTS, Hannah Casey Brogan, Platform Arts, Belfast, Northern Ireland, in 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620222587085-3TKWCOB2JS37F41SGG42/Naughton%2BGallery%2BQueens%2BUniversity%2BBelfast%2BLemonade%2BStand%2BHannah%2BCasey%2BBrogan%2BNorthern%2BIrish%2BPainter%2BImage%2Bby%2BSimon%2BMills%2B035.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN</image:title>
      <image:caption>An installation shot of the work Sugar Mountain Drawings in Lemonade Stand, Hannah Casey Brogan, The Naughton Gallery Belfast, Northern Ireland, in 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223017303-852WU2M8HIZA0P4KG79G/Platform%2BArts%2BBelfast%2BLOTS%2BHannah%2BCasey%2BBrogan%2B1.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN</image:title>
      <image:caption>An installation shot of work LOTS, Hannah Casey Brogan, Platform Arts, Belfast, Northern Ireland, in 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1622804741601-2KATY2YHUUN50NAUUA1I/hannah.jpg</image:loc>
      <image:title>ARTIST HANNAH CASEY-BROGAN</image:title>
      <image:caption>Pen spring clean, Hannah Casey Brogan (Instagram 2020)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-bassam-al-sabah</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223267662-40Y0HIOM4KACGLV3D2WV/What-If-I-Wi22n-1536x864.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH - BASSAM AL-SABAH USES DIGITAL ANIMATION, PAINTING, SCULPTURE AND TEXTILES TO CONVEY INTRICATE VISIONS OF WAR, RESISTANCE AND PERSEVERANCE. HIS WORK EXPLORES THEMES SUCH AS DISPLACEMENT, NOSTALGIA AND PERSONAL MYTHOLOGY THROUGH REFERENCING JAPANESE ANIME CARTOONS, WHICH WERE DUBBED INTO ARABIC AND BROADCAST THROUGHOUT THE MIDDLE EAST – WHERE BASSAM SPENT HIS CHILDHOOD – FROM THE 1980S TO THE PRESENT DAY. MANY OF THESE TV PROGRAMMES FEATURED IMAGERY OF REVOLUTION, WAR AND EXILE, AND THEREFORE HAVE A HEIGHTENED POLITICAL MEANING WITHIN HIS PRACTICE.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/2b9d95c3-a296-4de8-9cec-a55a1dc92598/20230811+Uphold+018.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH</image:title>
      <image:caption>Reaching your wandering to my eye, 2023, Bassam Al-Sabah, 22.5cm (h) x 40cm (w), C-Type Fuji Pearl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223438800-1YRDERBB2ZIJ6TUNGN7F/e8d574bee9e15869854d03fc5d74c619.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH</image:title>
      <image:caption>Wandering, Wandering With a Sun on My Back, Bassam Al-Sabah, 2018, Video HD, 16:40. Film still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223515580-EF1T1WSGAHNWLQAZRAJ6/IMM0219WU207-1-1152x1536.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH</image:title>
      <image:caption>An installation shot of work A Fiction Close to Reality, Bassam Al-Sabah, IMMA, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223968575-O9SP346HYPP4B5AMIER0/Dissolving-Beyond-the-Worm-Moon-23_1-1536x1024.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH - An installation shot of the work Dissolving Beyond The Worm Moon, Bassam Al-Sabah, Solstice Arts Centre, Navan, Co. Meath, Ireland, Sep 2019</image:title>
      <image:caption>Install at CCA, Derry/Londonderry (Instagram 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620223806405-Q1SL8N4HUSSEM3915CFC/20210320+Household+135.jpg</image:loc>
      <image:title>ARTIST BASSAM AL-SABAH</image:title>
      <image:caption>My mind yields easily, To the unrelenting pressure of the sun, 2021, Bassam Al-Sabah, 40 x 50cm, archival print on Hahnemuhle Photo Rag</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-helena-hamilton</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620224921808-WWJRQ68HBET4AANZG5B8/helenaham2.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON - HELENA HAMILTON IS INTERESTED IN REPETITION AND IN THE EXPRESSIVE AND MEDITATIVE EFFECTS CREATED BY REPEATING ACTS. SHE WORKS IN A RANGE OF MEDIA AND OFTEN UTILISES NEW TECHNOLOGIES, BUT DRAWING IS A CORE PART OF HER PRACTICE. SHE USES DRAWING AS A TOOL TO EXPLORE THE PHYSICAL AND SONIC WORLD AROUND HER AND TO CHALLENGE HOW WE PERCEIVE OUR REALITIES.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620225130299-9JBX5TYNQ4PGSP5HVYAB/HELENAHAM.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON</image:title>
      <image:caption>An installation shot of the work Untitled at Helena Hamilton’s exhibition Semblance and Event at Millennium Court Arts Centre in Portadown, Northern Ireland, in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620225424952-CGE61NFA5NJSMMGU4O5C/20210320%2BHousehold%2B079_150.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON</image:title>
      <image:caption>Virtual Study [Immerge_01], 2021, Helena Hamilton, 29.7 x 42 cm, Ink on fine grain paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620225811001-0A9WVC6VJGMFMQTX4E53/20210320+Household+075_150.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON</image:title>
      <image:caption>Virtual Study [Phoenix_01], 2021, Helena Hamilton, 29.7 x 42 cm, Ink on fine grain paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620225892220-OWGMV5O8M54PYIIFKE9U/helenaham3.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON</image:title>
      <image:caption>An installation shot of the work Order, Effect_02 at Helena Hamilton’s exhibition Semblance and Event at Millennium Court Arts Centre in Portadown, Northern Ireland, in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1623746058031-KNYDQ0JRMRI636ZNMN0N/Helena-Hamilton_NOTETOADISTANTGOD.jpg</image:loc>
      <image:title>ARTIST HELENA HAMILTON</image:title>
      <image:caption>An installation shot of NOTETOADISTANTGOD, Helena Hamilton, blindfolded durational performance (2 hours) with black paint, Millennium Court Arts Centre, Portadown, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-jennifer-mehigan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620226717134-L9KGYJEJN5PA6BN7HFOE/Screenshot-2021-01-15-at-14.40.46.png</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN - JENNIFER MEHIGAN HAS ALWAYS BEEN SITUATED SOMEWHERE BETWEEN ART AND DESIGN, AND IN THE PAST FEW YEARS SHE HAS FOCUSED ON WIDENING THE SCOPE OF TECHNOLOGIES SHE USE TO INCLUDE MODES OF ARTIFICIAL INTELLIGENCE AND VIRTUAL/AUGMENTED REALITY, FLORISTRY, WRITING, PARTIES, AND MEDITATIVE PERFORMANCES AND FILMS.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620227552666-OQ9TT4C3S73BUSOCPFN0/2019-1.jpg</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN</image:title>
      <image:caption>Girls Gone Feral VIII, 2018, Jennifer Mehigan, 50 x 70cm, inkjet on paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620227368548-LC9VJPBMYXD4SGSIZUUR/jen2.jpg</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN</image:title>
      <image:caption>HARDCORE VANILLA RAIN Publication, Jennifer Mehigan, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620228091293-3UVD8I928XYP6SYLN4FC/IMG_9316.jpg</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN</image:title>
      <image:caption>Jennifer is part of FRUIT SHOP which was formed during the summer of 2020 after a series of fortunate coincidences and connections. Operating as an artist-run cafe and retail space in a suburban neighbourhood of South Belfast, the collective designs and programmes creative communal experiences with a focus on developing relationships with local producers and grassroots growing initiatives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620228202601-EAZN26BIV1HPK5NVI8XV/PXL_20210115_114859074.jpg</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN</image:title>
      <image:caption>Image from Uillinn (Virtual) Residency, Jennifer Mehigan, West Cork Arts Centre, Drishane House, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620227918411-KATRT030B13XO2XNLA0I/ry4.jpg</image:loc>
      <image:title>ARTIST JENNIFER MEHIGAN</image:title>
      <image:caption>An installation shot of Creamatorium: A collection of sculptures, images, and text by Jennifer Mehigan at PeasPark, North Belfast, 2020 (Reading by Ria Adeyinka, a non-binary performer from Derry)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-john-macormac</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620387594323-Z9BTFLWHLU62UXDRC2R3/Untitled1.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC - JOHN Macormac'S WORK EXPLORES PATTERN AND RHYTHM THROUGH EXPLORING MATHEMATICS, GEOMETRY, STRUCTURE AND ENVIRONMENT. HIS PRACTICE IS PROCESS-LED, RIGOROUS, REPETITIVE, SYSTEMATIC AND LABOUR INTENSIVE AND HIS WORKS CAREFULLY CONSIDER FACTORS SUCH AS TIME, ACTION, CHOICE AND HUMAN AGENCY. DRAWING IS INTEGRAL TO HOW HE WORKS AND HIS EXHIBITIONS COMBINE DENSELY WORKED DRAWINGS THAT INVITE CLOSE EXAMINATION ALONGSIDE SCULPTURAL OBJECTS CHOSEN FOR THEIR SHAPE OR PURPOSE, OR SPECIALLY CONSTRUCTED FORMS THAT HE HAS MADE.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620387749960-P2GZ8ZPB7JI315ZKWI2J/20210320+Household+066_150.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC</image:title>
      <image:caption>Star Chart Series Drawing 4, 2020, John Macormac, 59 x 84 cm, White pencil on black card.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620387928313-AHF8K63WWL109BLBZ2QW/img_2732-edit.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC</image:title>
      <image:caption>Planet like layering of regular circles in a pattern inspired by the Fibunacci sequence, John Macormac, September 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620387891516-U0Y3O2SSPNIFKYRFYGW8/Untitled.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC</image:title>
      <image:caption>Rule Driven Wall Drawing, 2020, John Macormac, White chalk on black emulsion coated wall (studio)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620387982974-SSVEX2LCENGP90ZG1EWY/star-chart-8-remix.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC</image:title>
      <image:caption>Digital manipulation of Star Chart drawing 6, John Macormac, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620388015483-61OXTWI0UKDWH4FXOFVQ/wp-image-995850619.jpg</image:loc>
      <image:title>ARTIST JOHN MACORMAC</image:title>
      <image:caption>Set up for RESIST performance at the Menagerie in Belfast, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-jill-quigley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620388249104-VYQ77IG1IKS2I0NU85A2/roc03.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY - JILL QUIGLEY IS FOCUSED ON THE COMPLEXITIES CREATED BY THE ACT OF PHOTOGRAPHING ARCHITECTURAL SPACE. HER WORKS EXPLORE ATMOSPHERE, FUNCTIONALITY, CULTURAL RELEVANCE AND ASPIRATION, AND HOW WE ATTACH MEANING TO WHAT IS ESSENTIALLY INERT.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620388346141-15E334RMHNUEFY7282RO/20210320+Household+044_150.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY</image:title>
      <image:caption>Piggery, 2015, Jill Quigley, 29.7 x 21cm, Pigment print on red perspex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620388524279-Y44LWD7Y0IGVZHMQA8SI/Spread-from-Funhouse-dummy-book-2019-%C2%A9-Jill-Quigley.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY</image:title>
      <image:caption>Funhouse Publication, 2019, Jill Quigley, Unseen Dummy Award, Amsterdam, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620392010016-R6P9DFV1EK4W08DEVHXD/platform01.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY</image:title>
      <image:caption>An installation shot of the work Art Without Mystery, Jill Quigley, PXIX Platform Arts Members Show, Belfast, Northern Ireland, December 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620389318490-RT07UO8YMBG7OT66RRXI/20210320+Household+038_150.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY</image:title>
      <image:caption>Silo &amp; Yard, 2015, Jill Quigley, 29.7 x 21cm, Pigment print on perspex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620392036199-F52K1ZMD00VRROJL2HN5/3_crookedshed.jpg</image:loc>
      <image:title>ARTIST JILL QUIGLEY</image:title>
      <image:caption>Crooked Shed, 2015, Jill Quigley, 29.7 x 21cm, Pigment print on perspex.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-michael-hanna</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620392555223-USBR55AD1LZ25VB7FP9T/predictable-contact-2017.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA - Michael Hanna works in a wide range of forms including text, photography, painting, multiples, video, performance and immersive environments. Recent work has taken the form of social and sensory experiments with himself as the subject.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667572608952-MVX8B0KIGQYUOEAHV5AU/Yellow+uh+oh+1.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA</image:title>
      <image:caption>Yellow Uh Oh, 2022, Michael Hanna, 26 (h) x 22 (w) x 1 (d), Handmade vacuum form (High Impact Polystyrene)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620393825569-BN43P5W3XU863L7AN4NN/Michael+Hanna%2C+Compuders%21%2C+2019+web.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA</image:title>
      <image:caption>A shot of Compuders!, Neon, 2019, Michael Hanna, Looking Backward solo exhibition, PS², Belfast.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620393945914-26JNC04NEDUU49UFW80M/ALCI_0.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA</image:title>
      <image:caption>A Living Colour Index (Red Wednesday), 2020, Michael Hanna, online project with The MAC, Belfast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1622813510369-S11JFKR39VWENCQWRJZ2/Michael+Hanna%2C+Indoor+Sunlight%2C+2019.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA - Indoor Sunlight, 2019, Michael Hanna, Looking Backward solo exhibition, installation view, PS², Belfast.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394093081-MAXA517EIY0ML90XYY5E/20210320+Household+051_150.jpg</image:loc>
      <image:title>ARTIST MICHAEL HANNA</image:title>
      <image:caption>0.1km (Milan 8), 2018, Michael Hanna, 32 x 47cm, Archival pigment print</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-thomas-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c555a507-fd63-49d9-b463-c651721848e0/20240424+The+MAC+Mother+Tongue+084.jpg</image:loc>
      <image:title>ARTIST THOMAS WELLS - Thomas Wells (he/they) is an independent artist and curator based between the UK and Ireland. Thomas' work centres on socially engaged practice often involving LGBTQIA+ history and experience. Documentary, events and performance are often employed to explore themes of domestic ritual and hospitality.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620396599799-MDZMMHW6WUANIEWIAQQY/20210320+Household+132.jpg</image:loc>
      <image:title>ARTIST THOMAS WELLS</image:title>
      <image:caption>Chips, 2021, Thomas Wells, 20cm (8”), Digital printed and fired coupe bone china plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/42a3471e-fcfc-4596-85ff-1a742834eeab/20240424+The+MAC+Mother+Tongue+100.jpg</image:loc>
      <image:title>ARTIST THOMAS WELLS</image:title>
      <image:caption>Installation shot of Never Getting Much Use Out of a Chair Thomas wells, (2023 The MAC Belfast part of 'mother tongue')</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/a03da39c-b22b-4296-bb97-c97000a72d45/Screenshot+2025-08-14+at+15.44.36.png</image:loc>
      <image:title>ARTIST THOMAS WELLS</image:title>
      <image:caption>It’s Turned Out Nice Again 2024, Thomas Wells, (Outburst Queer Arts Festival 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/ca04673e-0224-413b-b51d-f8646fe9cee2/UPHOLD_2022_-56.jpg</image:loc>
      <image:title>ARTIST THOMAS WELLS - Chips with everything, 2022, Thomas Wells, installation, Digital prints on china plate, Print on fabric, dimensions variable.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/6a002899-19a4-4c9e-87c4-5e05a2834847/UPHOLD_2022_-57.jpg</image:loc>
      <image:title>ARTIST THOMAS WELLS - Make it stand out</image:title>
      <image:caption>Chips with everything, 2022, Thomas Wells, installation, Digital prints on china plate, Print on fabric, dimensions variable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-miguel-martin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394513389-862EN74KJ6SRIRGLQMBR/11-1536x1024.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN - MIGUEL MARTIN IS AN ARTIST WHO CREATES SITE-SPECIFIC GALLERY INSTALLATIONS THAT INCORPORATE TRADITIONAL OR 'CLASSIC' STILL-LIFE DRAWINGS, MOVING IMAGE, PHOTOGRAPHY AND SCULPTURE TO CAPTURE THE NOSTALGIA OF OBJECTS ASSOCIATED WITH HIS OWN AUTOBIOGRAPHY. OFTEN PLACED IN THE CONTEXT OF A DOMESTIC OR HOMELY SPACE, HIS WORKS FEEL FAMILIAR AND YET ARE STRANGELY FOREBODING.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394657443-YA6795DF8ZBLL1WR64LV/DRKTHRNE.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN</image:title>
      <image:caption>DRKTHRNE, 2016, Miguel Martin, 36 x 26.5 cm, Indian ink on watercolour paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394611257-X7C7UN4JNRU21YXQY04Z/21-1536x1024.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN</image:title>
      <image:caption>An installation shot of Fire in the Middle, 2020, Miguel Martin, Naughton Gallery at Queen’s, Belfast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394716391-8G4H40JP9XTBU4Z8QU2O/4-1536x1024.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN</image:title>
      <image:caption>An installation shot of Fire in the Middle, 2020, Miguel Martin, Naughton Gallery at Queen’s, Belfast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394837083-QQG59T9BP6BSN8MAC9O2/10MIGUEL-MARTIN-LET-THE-DEAD-LEAVES-FALL-MIGUEL-MARTIN-LET-THE-DEAD-LEAVES-FALL-1024x1536.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN - An installation shot of Let the Dead Leaves Fall, 2017, Miguel Martin, Millennium Court Arts Centre, Portadown</image:title>
      <image:caption>Install at CCA, Derry/Londonderry (Instagram 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1620394788946-1Z6X6PNTHD9P57RGZSMT/10-MIGUEL-MARTIN-I-SEE-DEMONS-1-1536x1024.jpg</image:loc>
      <image:title>ARTIST MIGUEL MARTIN</image:title>
      <image:caption>An installation shot of I See Demons, 2020, Miguel Martin, Offsite, Hastings</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-array-collective</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744198300-4JYLE6T8H3UZNCFWSDGR/Picture1-1200x675.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE - Array Collective playfully use performance, protest, photography, print, installation and video. They work with a range of creative individuals and organisations to merge artistic expression, participate in direct action and instigate public interventions across urban and online environments.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744411824-KCFVULHZEXCEQX4ZIEKS/Inventory42.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE</image:title>
      <image:caption>Beer Mats, from The Druthaibs Ball, Array Collective, Turner Prize, The Herbert Coventry Museum, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744498856-OR29HE4S3SKB2VKYBZ48/http___cdn.cnn.com_cnnnext_dam_assets_211202005524-03-turner-prize-2021-installation-view-restricted.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE</image:title>
      <image:caption>An installation of shot of The Druthaibs Ball, Array Collective, Turner Prize, The Herbert Coventry Museum, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/40864dae-bc58-4eee-94ff-7d963d454d5b/andun.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE</image:title>
      <image:caption>Installation shot of An Dún at IMMA Dublin [image credit Ros Kavanagh] 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744453420-TMWT1H5KQR2BZLVL49AP/Inventory38.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE - Make it stand out</image:title>
      <image:caption>Beer Mats, from The Druthaibs Ball, Array Collective, Turner Prize, The Herbert Coventry Museum, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744524298-100YKE2SYK7KFWT21J0G/p-79260_orig.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE</image:title>
      <image:caption>Install shot of As Others See Us part of Jerwood Collaborate!, Array Collective, Jerwood Arts, London, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639744868881-5ZFZKF5Y83QGPYLBB8OK/Herbert-TP-Interiors2-_garryjonesphotography-1439.jpg</image:loc>
      <image:title>ARTIST ARRAY COLLECTIVE</image:title>
      <image:caption>Detail shot of The Druthaibs Ball, Array Collective, Turner Prize, The Herbert Coventry Museum, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-rachael</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1636379034431-9CHBTPUSUJK97HY7A2Y0/Massives_details_Irish%2BModernisms%2BCCA-064.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER - Rachael Campbell-Palmer’s practice addresses seriality and architecture. She works with concrete, plaster and resin; materials that in production and exhibition, she situates between the industrial and the hand-crafted.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639141801332-QGCKZNM4B7BDX8JMQGB0/Debris_006_setting.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER</image:title>
      <image:caption>Debris 006, 2021, Rachael Campbell-Palmer, 65 x 55 x 50mm, Jesmonite AC730 acrylic modified cementitious composite in Silver Grey Granite. Acid-etched surface finish, combined with Polyester casting resin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638799614427-4GC1NQHXS69KV3WPCCIP/1+Terra+Firma+2+Massives+from+Irish+Modernisms+CCA+Full+installion+shot-058+%281%29.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER</image:title>
      <image:caption>Installation shot of Terra Firma , Irish Modernisms, Centre of Contemporary Art, Derry, Rachael Campbell- Palmer, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639139414811-FQ0GY722TQYFBNT0TBGC/Fairgreen_12.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER</image:title>
      <image:caption>Curbed Comfort. at TULCA International Galway 2016; The Headless City Curated by Dan Dewsbury, Rachael Campbell-Palmer, Concrete and polyester casting resin. Documentation by Jonathan Sammon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639142098197-L7Y6MIAJBHPG0E197HDI/Debris_010+in+setting.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER - Make it stand out</image:title>
      <image:caption>Debris 010, 2021, Rachael Campbell-Palmer, 170 x 90 x 70 mm, Jesmonite AC730 acrylic modified cementitious composite in White Marble and grey pigmented White Marble combination.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638799677696-WDJNPTPG5GZQWZK9ECBU/Edgelands_Rachael+Campbell+Palmer+014+%281%29.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER</image:title>
      <image:caption>Installation shot of Edgelands, 2017, Rachael Campbell-Palmer, Framework Gallery, Belfast, Buffalo board, polyester casting resin, concrete, Malaysian ply, Buddleia. Limited edition digital print.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639139958354-MHB9916YN9SD7J6HLO0L/20160219%2BRachael%2BCampbell%2BPalmer%2B5.jpg</image:loc>
      <image:title>ARTIST RACHAEL CAMPBELL-PALMER</image:title>
      <image:caption>Installation shot of Methods For Egress, 2016, Rachael Campbell-Palmer, QSS Gallery. Belfast. Concrete, plaster, polyester crystal clear casting resin, plaster board, timber, 12" fluorescent tube lights.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-susan-con</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638220491230-39A9M4RFSE68LQDWD32R/12-Something-about-some-thing-to-do-with-paint.-The-MAC-Belfast-2014.-Photo-credit_-Simon-Mills.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY - Susan Connolly makes paintings and large-scale installations. Her work explores the notion of uncertainty in painting and its ability to remain relevant in our digital age. The work references the history of abstract art and reflects on and challenges the medium itself.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638202041382-I0CKB0X2RZYUDHSNBABA/20211105+Uphold+018.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY</image:title>
      <image:caption>Traces of an Activity 21.10, 2021, Susan Connolly, 17.5x12.5x1.5cm, Acrylic on canvas Top Left: An installation of shot of Something To Do With Paint, Susan Connolly, The MAC, Belfast, Northern Ireland, in 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638221414004-V6M02FMW82925KU74ZD3/SC-IMage-1-1-1024x683.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY</image:title>
      <image:caption>An installation of shot of Over+over&amp;over, FE McWilliam Gallery, Banbridge, Acrylic paint, medium gel, steel, sterling board; various dimensions; 2019/2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638220856621-ML1D68RSV6QZYE7XOR2E/Everything-and-Nothing-Studio.-Acrylic-paint-and-medium-gel.-2014.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY</image:title>
      <image:caption>Everything &amp; Nothing, Studio, Acrylic paint, medium gel, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638221118969-NR868X938YSDGC2E5FKV/Untitled.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY</image:title>
      <image:caption>Susan Connolly Studio, QSS, Belfast, Northern Ireland, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638220976643-3BL6WKLPOI9YTNDB8UYS/20211105+Uphold+007.jpg</image:loc>
      <image:title>ARTIST SUSAN CONNOLLY - Make it stand out</image:title>
      <image:caption>Traces of an Activity 21.9, 2021, Susan Connolly, 17.5x12.5x1.5cm, Acrylic on canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-mark-mcgreevy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637078352848-MF58W2KU0WJYQAII9UQG/9.+Mac.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY - McGreevy’s works are responses to a collected archive of personal and found imagery drawn from the media, personal experiences and the everyday. They offer a quizzical and intimate overview of the layers of images and spaces, whether tangible or abstract, which McGreevy encounters.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637078051732-0IEKW6JZEH9DU1V07P1N/20211105+Uphold+038.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY</image:title>
      <image:caption>Analogue Dog, 2019, Mark MCGreevy, 120x90cm, Oil on canvas. Top Left: An installation of shot of Flop Sweat, Mark McGreevy, The MAC, Belfast, Northern Ireland, in 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637078118227-7R5JASP38SCDNBTNIGO1/Screenshot_20211116_151222.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY</image:title>
      <image:caption>Mark McGreevy Studio, QSS, Belfast, Northern Ireland, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637336573414-48UFWTHNJ2I0V004FKGM/20211105+Uphold+045.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY - Make it stand out</image:title>
      <image:caption>Culvert I, 2016, Mark McGreevy, 24.8x17.5cm, watercolour on cold pressed paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637079106586-H54URRQDSV11S5ZF5XS0/7.+Mac.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY</image:title>
      <image:caption>An installation of shot of Flop Sweat, Mark McGreevy, The MAC, Belfast, Northern Ireland, in 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1637079350948-6YTWYIREXOV1B7IK3HKJ/IMG_20211008_160314.jpg</image:loc>
      <image:title>ARTIST MARK MCGREEVY</image:title>
      <image:caption>Mark McGreevy Studio, QSS, Belfast, Northern Ireland, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-phillip-mccrilly</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638798958751-3V1G4GI4M9MIYPSK39C2/Jaunt+%28October+2020%29.jfif</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY - Interested in the transgressive and interdisciplinary possibilities of food, hospitality and education, phillip McCrilly’s work explores the idea of threshold in often collaborative forms. Combining somatic learning with haptic processes of making, food is frequently used as a conduit for the transference of knowledge and skills.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638877774367-NNVGQNBLEI40WBKJYZU8/DSCF5934.jpg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY</image:title>
      <image:caption>Gorse Wine (After John Oliver), 2021, Phillip McCrilly, 750ml, Glass, Found Bottle Top, Shaw’s Bridge Gorse Flowers, Yeast, Sugar, Filtered Water</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638798638657-2VKZEFSR5UXNZ3NVYJYX/242356591_1205959013234525_4461131678538758113_n.jpg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY</image:title>
      <image:caption>FRUIT SHOP, September 2020-present, artist-run café</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638798458499-V0JQNCOONWTM6E9S63BF/When+I+put+my+finger+to+the+hole+they%27ve+cut+for+a+dimmer+switch+in+a+wall+of+plaster+stiffened+with+horsehair+it+seems+I%27ve+scratched+a+two-hundred-year-old+itch%2C+wall+painting%2C+2021.jpg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY</image:title>
      <image:caption>When I put my finger to the hole they've cut for a dimmer switch in a wall of plaster stiffened with horsehair it seems I've scratched a two-hundred-year-old itch, 2021, Phillip McCrilly, wall painting, black gloss paint on black matt emulsion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638798684264-HS3OPHGPUTJCXPQ191BU/The+Geographic+Tongue+%28as+part+of+Sam%27s+Eden%29.jpeg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY</image:title>
      <image:caption>The Geographic Tongue (as part of Sam's Eden), 2021, Phillip McCrilly, collaborative performance, cruising walk with refreshments</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638878004704-ML1L5JP0ZPI3WHBK1T5N/DSCF5878.jpg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1638798871803-DWXKSJVAZC8A7FJEPNYL/Jaunt+Seed+Packets.jpeg</image:loc>
      <image:title>ARTIST PHILLIP MCCRILLY</image:title>
      <image:caption>Jaunt Seed Packets, 2020, Phillip McCrilly, bespoke and stamped packets, wild flower seeds</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-soft-fiction-projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639582730313-O55QAHWTMLJH0N9GLKUM/USUALLY+OR+INFREQUENTLY+INDECENT+OR+OBSCENE_Leporello+Edition_Cover_Tulca+2020.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS - Soft Fiction Projects is dedicated to producing digital and printed matter on film and artist moving image culture. The printed project acts as a forum for presenting new collaborations, artworks, research and writing from invited artists and contributors.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639589021869-PNOQTZFZSG6IFARTUGCT/Work+4_flowers2.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS</image:title>
      <image:caption>Above: We have our own flowers. Do it Yourself, 2021, Soft Fiction Projects, Risograph Print on Favini Alga Carta. Top left: USUALLY OR INFREQUENTLY INDECENT OR OBSCENE , Leporello, Soft Fiction Projects, Limited edition publication, hand-folded in accordion-pleat style, produced for TULCA Festival of Visual Arts, Galway, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639583095233-PVEGHL8IX6KJFYT1ZQWW/USUALLY+OR+INFREQUENTLY+INDECENT+OR+OBSCENE_Leporello+edition_Tulca+2020.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS</image:title>
      <image:caption>USUALLY OR INFREQUENTLY INDECENT OR OBSCENE , Leporello, Soft Fiction Projects, Limited edition publication, hand-folded in accordion-pleat style, produced for TULCA Festival of Visual Arts, Galway, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639583137751-2IAEKZRYYUJ9NMNBHDIH/Research+Image+1_Tulca+Publication+2020_SFP.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS</image:title>
      <image:caption>Research Image for USUALLY OR INFREQUENTLY INDECENT OR OBSCENE, Soft Fiction Projects, TULCA Festival of Visual Arts, Galway, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639589236749-CX8QVZNCPF4CCDY8RP0L/Work+2_silver3.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS - Make it stand out</image:title>
      <image:caption>It didn’t belong to any of us and it belonged to all of us, 2021, Soft Fiction Projects, Risograph Print on Parchment Paper Silver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639583163949-M33ZYTSZSW717611PYZG/Destruction+of+Pleasure+is+a+Radical+Weapon_Workshop+UU_2019.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS</image:title>
      <image:caption>Destruction of Pleasure is a Radical Weapon, Soft Ficiton Porjects Workshop, University of Ulster Belfast, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1639584192299-Q9BJGD5IGMHELHRVFB8H/Doris+Launch+at+SHOP_Ps2_Belfast+2019_photo+by+Dan+Weill_1.jpg</image:loc>
      <image:title>ARTIST SOFT FICTION PROJECTS</image:title>
      <image:caption>Doris Launch, S H O P , Soft Fiction Projects Publication Launch, PS² Short Residencies Programme, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/susan-hughes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1652785722597-SBHZHN1A9DHZKHKPZBJJ/1a+susan-hughes-here-not-here-dark-2021-118cm+x+84cm+x+15cm.jpg</image:loc>
      <image:title>ARTIST SUSAN HUGHES - Susan Hughes’ video, print, installation, sculpture and audio works are informed by personal stories and experiences. She uses synthetic and artificial materials and mediums such as brightly coloured perspex, surround sound audio and coloured lighting often associated with the ‘urban’ to create immersive viewing environments that capture psychedelic sensual encounters in and with nature.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1664712691503-NABFQU7DX55VV0QMP348/20220816+Household+Uphold+024.jpg</image:loc>
      <image:title>ARTIST SUSAN HUGHES</image:title>
      <image:caption>Brompton Swim, 2022, Susan Hughes, 49.5cm (h) x 45cm (w), Screenprint and Hi-Vis paint wash on ‘South Bank Smooth’ white 250gsm paper Top Left: An installation of shot of Lost Not Lost, Susan Hughes, University of Ulster MFA Show, Belfast, Northern Ireland, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1652786653325-44HBUG9M938CRJSWRP6G/3+Never+Lost-CCA+Derry-graduate-award-2021-vinyl%2C+cellophane%2C+window%2C+strip+lights-installation.jpeg</image:loc>
      <image:title>ARTIST SUSAN HUGHES</image:title>
      <image:caption>Never Lost, 2021, Susan Hughes, Cellophoane, vinyl letters, fiddle performance. Centre for Contemporary Art Derry~Londonderry MFA Graduate Award.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1652786934030-30N6OO5PIEVEC4HY2BD2/2b+Susan-Hughes-2021-+Something-Happens-To-Time-video+still-4.png</image:loc>
      <image:title>ARTIST SUSAN HUGHES - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1652786549505-86JTLULOLKTWJK5BGTFG/IMG_1837.JPG</image:loc>
      <image:title>ARTIST SUSAN HUGHES</image:title>
      <image:caption>Susan Hughes studio, Orchid Studios, May 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1664712767107-KC6TVRJ7UZ5O6IA0NPBA/IMG_20221002_122709.jpg</image:loc>
      <image:title>ARTIST SUSAN HUGHES - Make it stand out</image:title>
      <image:caption>Brompton Swim, 2022, Susan Hughes, 49.5cm (h) x 45cm (w), Screenprint and Hi-Vis paint wash on ‘South Bank Smooth’ white 250gsm paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1652786354077-KNJU9A2WQS4QJYTBXHKH/AI-D80_9852-denoise.jpeg</image:loc>
      <image:title>ARTIST SUSAN HUGHES</image:title>
      <image:caption>An installation of shot of Lost Not Lost, Susan Hughes, University of Ulster MFA Show, Belfast, Northern Ireland, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-grace-mcmurray</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1653386474691-PTEON7R3J406BS4W62YR/Installation+View+of+%27Nest%27+and+%27Portal%27+at+%27Irish+Modernisms%27+CCA+Derry_Londonderry+2021.++Photography+-+Paola+Bernardelli+.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY - Grace McMurray uses knitting, patchwork, embroidery, installation and weaving to create artworks that question stereotypes, gendered spaces, and social conditioning in the public imagination. Their work subverts function and makes tangible the processing of personal narratives and constant accumulation of invisible unpaid labour.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662386907106-B38KUS6CHNE2A4Q2WNX9/20220816+Household+Uphold+070.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY</image:title>
      <image:caption>Shattered, 2022, Grace McMurray, 20.5cm (h) x 26cm (w) x 2.5cm (d), wool, wooden board. Top Left: An installation of shot of Nest and Portal at Irish Modernisms CCA Derry~Londonderry 2021. (Image credit: CCA Derry~Londonderry 2021 &amp; Paola Bernardelli)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1653386835529-NJ1MDHW359A7VADVYXLD/Detail+of+%27Who+is+She%2C+Who+is+She%27+Graphite+on+Card+Weave%2C+Framed+Mirror.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY</image:title>
      <image:caption>Detail of Who is She, Who is She?, 2020, Grace McMurray, 78cm (h) x 52cm (w) Graphite on Card Weave, Framed Mirror.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1653386787715-IP8YP788FFPXCP4ZN6BM/%27Lay+by+me%27+Hanging+Fabric+Patchwork+.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY</image:title>
      <image:caption>Lay by me, 2022 Grace McMurray, 99x42x20cm, Hanging Fabric Patchwork.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662387253298-5OWOVEQ3STBV2LPIANGI/20220816+Household+Uphold+049.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY - Make it stand out</image:title>
      <image:caption>I grieve differently (Underneath), 2022, Grace McMurray, 25.5cm (h) x 20.5cm (w) x 2.5cm (d), acrylic wool, board.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1653386868805-4O2B8IT8K3DZHM2K56M7/%27Mondrian+Jumper%27+Sheep+and+Cotton+Wool.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY</image:title>
      <image:caption>Mondrian Jumper, 2019, Grace McMurray, 71x57x11cm, Sheep and Cotton Wool.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1653386914487-QMZRBAGKDOZP6OOV8ER5/%27Infinity+Room%27+Acrylic+Wool.jpg</image:loc>
      <image:title>ARTIST GRACE MCMURRAY</image:title>
      <image:caption>Infinity Room, 2022, Grace McMurray, 54x46cm, Acrylic Wool.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-martin-boyle</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1661941962851-QST54BG1E0SAU3NYUNZ8/LAZY+LOGO+7.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE - LAZY-EIGHT, A NEW DESIGN PROJECT BY ARTIST MARTIN BOYLE INCORPORATING HIS INTEREST IN ART, DESIGN, GEOMETRY AND ASTRONOMY. INFLUENCED BY IDEAS FROM EUPHORIC AND DARK ROMANTICISM, RECENT WORK HAS PROBED THE GAP BETWEEN WHAT SCIENCE TELLS US AND WHAT WE TELL OURSELVES. HE CREATES CONCEPTUAL ARTWORKS ACROSS DIVERSE MEDIUMS, INCLUDING INSTALLATION, SCULPTURE, PHOTOGRAPHY, VIDEO, AND SITE-SPECIFIC PIECES.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662383912418-ZIZEY6D2TL0I7C6JOYZE/20220816+Household+Uphold+022.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE</image:title>
      <image:caption>Tessellation 04, 2022, Martin Boyle, 37.6cm (h) x 28cm (w), laser engraved birch plywood, acrylic paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662384172230-8B3VPUDPLGF9GJ8J0ZQP/martin.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE</image:title>
      <image:caption>Work in progress at The Distillers Press Dublin, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662384207966-HR4BROYBXMF7MNSATI2W/20220816+Household+Uphold+002.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE - Make it stand out</image:title>
      <image:caption>Truchet 01, 2022, Martin Boyle, 18.5cm (h) x 18.5cm (w), tiles, acrylic paint, particle board.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1661942032886-JQZMKJ5N3JXFRXILB2LM/IMG_3422.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE</image:title>
      <image:caption>LAZY EIGHT (Martin Boyle) process shot from his studio, Flax Art Studios, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662384302863-R874VFYW6APBWD7ZU2RY/20220816+Household+Uphold+012.jpg</image:loc>
      <image:title>ARTIST MARTIN BOYLE - Make it stand out</image:title>
      <image:caption>End-Less, 2022, Martin Boyle, 19cm (h) x 19cm (w), tiles, acrylic paint, particle board.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-dorothy-hunter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1654002682157-VEZLCTO8QRIAEODLUOVD/Still+from+_Damp+Coolth_+video+essay.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER - the notion of ‘Place’, how time and events can be expressed within it, and the implicit futures inscribed into land are key themes in dorothy hunter’s practice. she creates interventions, installations and time-based media, and is interested in modes of display and the act of collecting.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1662389851145-YNA8XRSR3D58GOWVJPMT/20220816+Household+Uphold+033.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER</image:title>
      <image:caption>Whereas, 2022, Dorothy Hunter, 34cm (w) x 25.5cm (h), Laser etched copper laminate, frame. Top left: Damp Coolth, 2021, Dorothy Hunter, video essay (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1654002969311-35GPLGSJ1EOGIXE4LIID/20170221-ps2-dorothy-hunter-025-72dpi_orig.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER</image:title>
      <image:caption>Installation detail, Anticipated Fictions; Monumental Configurations, (detail) 2017, Dorothy Hunter, MDF, printed foamex, welded steel, PS2 gallery, Belfast.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1654003349462-VNALCKCVEOVWL0UD76KY/masking+series%2C+postcard+publications+for+Landis+Museum+at+CCA+Derry-Londonderry%2C+Simon+Mills.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER - Masking Series, 2018, Dorothy Hunter, postcard publication, The Centre for Contemporary Art, Derry/Londonderry, Northern Ireland.</image:title>
      <image:caption>Install shot of As Others See Us part of Jerwood Collaborate!, Array Collective, Jerwood Arts, London, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1654003467891-NM6EX2LRDSDVKS3NZK0R/72-20180616-cca-derry-the-landis-museum-100_1_orig.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER</image:title>
      <image:caption>Masking Series, 2018, Dorothy Hunter, postcard publication, The Centre for Contemporary Art, Derry/Londonderry, Northern Ireland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1654003526805-JT3ODN5AHQLXX3CUC0LN/The+Appropriate+Changes+Having+Been+Made+%28detail%29.jpg</image:loc>
      <image:title>ARTIST DOROTHY HUNTER - Make it stand out</image:title>
      <image:caption>The Appropriate Changes Having Been Made (detail), 2017, Dorothy Hunter, unfired terracotta, MDF, vinyl adhesive and insulation foam, Golden Thread Gallery, Belfast, Northern Ireland.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-aisling-obeirn</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666266985708-9LPMD6Q8TZJPI4WJ4DQR/05aob_shockwavesml.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN - AISLING O’ Beirn’s work explores space as a physical structure and political entity by making and animating forms relating to observed and theoretical structures being studied by contemporary astronomers and physicists.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667428001570-GZM3FP4Q345HYT6NNJ4O/Antrim+Rd+Light+Spill+seen+through+Waterworks+Railings.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN</image:title>
      <image:caption>Antrim Rd Light Spill seen through Waterworks Railings, Aisling O’Beirn, XXXX, Charcoal on paper, Above left: Shockwave, in Terra Infirma, 2021, Aisling O’Beirn, 1.5 m x 1 m x 50 cm, routered plywood, varnish, castors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666267391288-7NNABON6APJS2CBP6NES/01aobmac_international.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN</image:title>
      <image:caption>Extracts from Another Day in Futile Battle Against the 2nd Law, 2018, Aisling O’Beirn, mixed media, dimensions variable installation shot MAC International, curated by Hugh Mulholland, MAC Belfast.  Photo Paul Marshall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666267504650-MJA17GZ9E8RP0U6UGYZ5/06aob_boolean-logic.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN - Make it stand out</image:title>
      <image:caption>Boolean Logic, Instillation shot and detail, 2014, Aisling O’Beirn, dimensions variable, salvaged timber, easel &amp; drawing on Fabiano, Glucksman, Cork (background number image D. Almond)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666267425281-DMSUGJH9NRRUMPHZOWO8/04aob_selected_drawingssml.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN</image:title>
      <image:caption>Terra Infirma, 2021, Aisling O’Beirn, A5 pencil on cartridge (detail of selected drawings)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667428127218-XVMXWWD38IGEV32C94EU/20221026+Household+Uphold+081.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN - Make it stand out</image:title>
      <image:caption>Solitude Light Spill (but no fixtures tonight?), Aisling O’Beirn, XXXX, Charcoal on paper,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666267665120-PLKQXYBZIS4NLOOVLIWE/03aob_terra+infirma.jpg</image:loc>
      <image:title>ARTIST AISLING OBEIRN - Make it stand out</image:title>
      <image:caption>Terra Infirma, 2021, Aisling O’Beirn, Two person show with D. McKenzie installation shot detail of drawing installation, (All drawings in shot O’Beirn except for yellow drawing, D. McKenzie)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-lyonn-wolf</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666195844781-NOVD38Z12HH2TXLBM2R0/1_Emma+Wolf-Haugh.jpg</image:loc>
      <image:title>ARTIST LYÓNN WOLF - Lyónn Wolf is a visual artist, educator and writer whose work is shaped by economic necessity, engaging forms of recycling, thrift and ephemera resulting in soft modularity, wild archiving, and performative intervention, posing questions about value, accumulation, and authorship.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667428721248-6HA9HIJ6M58EELNJC45L/20221026+Household+Uphold+100.jpg</image:loc>
      <image:title>ARTIST LYÓNN WOLF</image:title>
      <image:caption>Clothes for queer cruisers - Trans - Later -, 2022, Lyónn Wolf, Dimensions variable, customised, hand bleached, second hand denim jackets, machine embroidery, metal parts. Above left: Domestic Optimism, 2020, Lyónn Wolf, Lesbian Flaneuring.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666197675936-8QVSPWAZH2JAYA7R1QZI/6_Emma+Wolf-Haugh.jpg</image:loc>
      <image:title>ARTIST LYÓNN WOLF</image:title>
      <image:caption>Sex in Public, Dyke Action, with Line Skywalker,  Sex in Public, 2017, Lyónn Wolf, Karlström.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666196795553-5QQGTFYC70OQO8RLEQS7/2_Emma+Wolf-Haugh.jpg</image:loc>
      <image:title>ARTIST LYÓNN WOLF</image:title>
      <image:caption>Installation view of Domestic Optimism,2020, Lyónn Wolf, Grazer Kunstverein, - Photo credit: Christine Winkler</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666197705415-5WJ8QMQRCA529O4S1QGT/5_Emma+Wolf-Haugh.jpg</image:loc>
      <image:title>ARTIST LYÓNN WOLF</image:title>
      <image:caption>Installation view of Domestic Optimism, 2021, Lyónn Wolf, Project Arts Centre - photo credit: Louis Haugh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-katie-watchorn</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666269969329-GIP0MC9O6PLOFXFORKLG/KW_LSC_300DPI-42.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN - Katie WATCHORN’S practice is rooted in the rhythms of farming and land management. Primarily sculptural, she often employs fickle, agriculturally specific materials in combination with familiar rural motifs and ubiquitous objects and forms from her surrounding environs. These re-situated encounters aim to establish a new awareness of a contemporary rather than a vanished existence.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/cb2c59b3-fbd9-4b31-8f0a-ff3cd3c8d0a9/UPHOLD_2022_-62.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN</image:title>
      <image:caption>Get Away From It All (Cromac St), 2022, Katie Watchorn, Poster: 59.4cm (h) x 42cm (w) Cast: Each approx 64cm (L) x 25cm (w), Cast aluminium, colour digital print on 260gsm silk and coated acetate, foil sticker, jubilee clip. (Above left) Get Away From It All (Off Road) 2022 [detail], Katie Watchorn, Galvanised gantry way, framed promotional Land Rover poster, cast concrete, travel mug, copper plate, oiled mild steel, cast partially polished aluminium, polished bronze dross, glazed ceramic. Image: Louis Haugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666270502495-3YHWZBIBWH6B95Z2OOK5/KWatchorn003.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN</image:title>
      <image:caption>Multi - Mother I, 2021 Year, Katie Watchorn. Image: Matthew Barnes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666270555727-SHZA0USK1ZPT9B0DYXQQ/KWatchorn007.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN - Make it stand out</image:title>
      <image:caption>From Here to There, 2021, Katie Watchorn, dimensions variable, Painted mild steel, headliner fabric, wadding, plywood, cast blended beef fat, Image: Louis Haugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666270240629-0XHBPURSR23QMHF5422A/KW_LSC_300DPI-46_1.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN</image:title>
      <image:caption>Get Away From It All, 2022 [detail], Katie Watchorn. Image: Louis Haugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667597812879-URO7PCD4SICZOI2TI91R/314532537_411364631204220_3315719243235201272_n.jpg</image:loc>
      <image:title>ARTIST KATIE WATCHORN - Make it stand out</image:title>
      <image:caption>Get Away From It All (Café Parisien), 2022, Katie Watchorn, Poster: 59.4cm (h) x 42cm (w), Colour digital print on 260gsm silk and coated acetate, foil sticker, jubilee clip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666270532648-XRC7Q03TD02613SGE2AM/IMG_7526.JPG</image:loc>
      <image:title>ARTIST KATIE WATCHORN - Make it stand out</image:title>
      <image:caption>Slip Casting Mold in artist's studio, Katie Watchorn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-tara-mcginn</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/cd2d1f87-960b-4300-bc12-251bf0fdd4cb/Tara+McGinn_6.jpg</image:loc>
      <image:title>ARTIST TARA MCGINN - Tara McGinn’s cross-disciplinary, or non-disciplinary, practice explores the fabric of language in objects, architectural surfaces, and textures as texts—and vice versa. Their work deconstructs and re-collages sentimentality, tradition, queer identity, bodily trauma, and the comforts found in shared spaces.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/3c6bfd57-0c1e-4d17-b235-a844eaee0bae/20251128+Household+014.jpeg</image:loc>
      <image:title>ARTIST TARA MCGINN</image:title>
      <image:caption>Cream Clots, 2025, Tara McGinn, 3.2 x 16.75 x 9.9cm, Ceramic stoneware, lead free glaze Left hand top of page: Soft Laundry (for a performance) 2023, Tara McGinn, PS2 Belfast. Credit: Simon Mills.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/8167417d-a405-4cdf-a0ac-b6b51b0cb8ab/20230621+PS2+Tara+McGinn+027.jpg</image:loc>
      <image:title>ARTIST TARA MCGINN</image:title>
      <image:caption>An Intimate Public (installation view) Tara McGinn, 2023 at PS2 Belfast. Credit: Simon Mills.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666728932329-DUSUML1J4JKD8QD3MIXA/DSC04557.jpg</image:loc>
      <image:title>ARTIST TARA MCGINN - Make it stand out</image:title>
      <image:caption>Domestic Fossil (or matriarchal lineage), 2021, Tara McGinn, Cast resin, gloss varnish. Photo credit: Ben Malcolmson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/3b5074cd-bd1d-4e03-a10b-1ac6f589b91b/Screenshot+2025-12-01+at+12.34.14.png</image:loc>
      <image:title>ARTIST TARA MCGINN</image:title>
      <image:caption>A Placeholder, Tara McGinn, 2023, PS2 Belfast. Credit: Simon Mills.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667431834325-LR3WV3LLGNU57E0ZLETC/20221026+Household+Uphold+036.jpg</image:loc>
      <image:title>ARTIST TARA MCGINN - Make it stand out</image:title>
      <image:caption>Spilled Milk #5, 2022. Tara McGinn, 17x22x17cm, Terracotta clay, acrylic paint, polymer relief outliner (various), acrylic ink, water based gloss varnish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/b93b04e3-dec7-456a-a475-1eeb55b74af8/4.jpg</image:loc>
      <image:title>ARTIST TARA MCGINN - Untitled (because I saw alot of things on the telly when I was younger that I probably shouldn't have), Tara McGinn, 2023.</image:title>
      <image:caption>Installation image, The Melting/ed of Spring, 2022, Tara McGinn, Dimensions variable, CCA project space, Derry/Londonderry.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-alex-synge</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666730929925-35LN3EQOAN2P6N9HDGP7/AlexSynge_SCPWS.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE - Alex synge’S DESIGN PRACTICE IS BUILT AROUND COLLABORATION AND RESEARCH. HE PRODUCES PRINTED MATTER, GRAPHIC IDENTITIES AND ASSORTED DIGITAL MATERIAL FOR ARTISTS, GALLERIES, PUBLISHERS AND SMALL BUSINESSES.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667433156962-SVBP91JZD4MJ1TU7QKVI/20221026+Household+Uphold+017.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE</image:title>
      <image:caption>SOCIAL SOLO WOES, 2022, Alex Synge, 105mm (H) x 148mm (W), Hot foiled in one colour onto 540gsm Imperial Blue Colorplan card. Blind debossed on reverse and signed and numbered by artist. Hand printed by Typoretum. Above left: Publication design for Scissors Cut Paper Wrap Stone, a catalogue for an exhibition at CCA Derry (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666731118122-730W7C6ET43XNHFJB37W/AlexSynge_WilderBeingsCommand.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE</image:title>
      <image:caption>Design for 'Wilder Beings Command!'; a night of outdoor performance at the Irish Museum of Modern Art (2017) Photo by Louis Haugh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666731238710-D9A6IRTD7ON9Q0XKZOTR/AlexSynge_WaywardEye.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE - Make it stand out</image:title>
      <image:caption>Exhibition poster for Wayward Eye at Temple Bar Gallery + Studios (2021) Photo by Kate-Bowe O’Brien</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666731087075-49TAKDKV9EDDVNR8O65Y/AlexSynge_IrelandAtVenice_Tote.jpeg</image:loc>
      <image:title>ARTIST ALEX SYNGE</image:title>
      <image:caption>Tote bag for Niamh O'Malley / Ireland at Venice (2022) Photo by Michael Hill</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667433197049-VHYO4VYHFR0YJEF1L1FL/20221026+Household+Uphold+031.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE - Make it stand out</image:title>
      <image:caption>GOOFY SCRIPTED MASTERPIECE, 2022, Alex Synge, 105mm (H) x 148mm (W), Hot foiled in one colour onto 540gsm Turquoise Colorplan card. Blind debossed on reverse and signed and numbered by artist. Hand printed by Typoretum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1666731201916-2O2GVWRUPXOIMS1ZGNSZ/AlexSynge_KunstvereinAughrim.jpg</image:loc>
      <image:title>ARTIST ALEX SYNGE - Make it stand out</image:title>
      <image:caption>Identity development for Kunstverein Aughrim (2022) Photo by Kate Strain</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-sean-greer-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667576235834-I4YPN39OBW9D1DXGSXJ0/UPHOLD-Brand-Identity-And-Website-Design-01.jpg</image:loc>
      <image:title>ARTIST SEAN GREER - Sean is a graphic designer working with clients to define, communicate, and achieve their projects. He is also co-founder of Twenty Five, a place-making project currently in its first phase of bringing a listed, historic building back to life and community use.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/43151da7-94e1-4aaa-bb6b-d354391cf8b4/UPHOLD_2022_-30.jpg</image:loc>
      <image:title>ARTIST SEAN GREER</image:title>
      <image:caption>Scorn Flakes 01, 2022, Sean Greer, 59.4 x 84.1 cm, Giclée print on Hahnemuhle FineArt Hemp 290gsm (Image: Chad Alexander) Above left: UPHOLD, Brand Identity, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667595373005-DTLS4U3U3FQCA4AECDLM/Streetspace-Identity-And-Graphic-Design-01.jpg</image:loc>
      <image:title>ARTIST SEAN GREER</image:title>
      <image:caption>Streetspace Identity and Graphic Design, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667595456978-Z95WLJZ8HZ6DHZC3J2YT/Streetspace-Identity-And-Graphic-Design-02.jpg</image:loc>
      <image:title>ARTIST SEAN GREER - Make it stand out</image:title>
      <image:caption>Streetspace Identity and Graphic Design, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667595416573-5EB80HRRKW81IWQA7VKV/Twenty-Five-Suntrap-03.jpg</image:loc>
      <image:title>ARTIST SEAN GREER</image:title>
      <image:caption>Suntrap at Twenty-Five, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667576408183-R62KEPP0IU8Q8CPW15JW/Scorn-Flakes-01-01.jpg</image:loc>
      <image:title>ARTIST SEAN GREER - Make it stand out</image:title>
      <image:caption>Scorn Flakes 01, 2022, Sean Greer, 59.4 x 84.1 cm, Giclée print on Hahnemuhle FineArt Hemp 290gsm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667595514810-P9VJHCGWARXHXQPK2Z0N/Sol-Archer-Not-Only-The-Earth-Identity-and-Website-Design-02.jpg</image:loc>
      <image:title>ARTIST SEAN GREER - Make it stand out</image:title>
      <image:caption>Sol Archer, Not Only the Earth We Share, Identity and Graphic Design, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-johnrainey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c9a44321-b11d-4fb3-96c2-645abd6baeef/JR+Image+1_72dpi_Drag+Eagle%2C+2024%2C+Parian+Porcelain_Image_Philip+Sayer.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY - John Rainey works primarily in sculpture, combining traditional casting processes in materials like porcelain with digital fabrication technologies such as 3D printing.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/657caa6c-42b9-4ef1-83a7-f8f6ac281e96/20250627+Household+023.jpeg</image:loc>
      <image:title>ARTIST JOHN RAINEY</image:title>
      <image:caption>Proposals for Queer Bodies in Public Space (Flag), 2025, John Rainey, 100 x 70 cm, Recycled RPET Material 110gsm. Above left: Drag Eagle, John Rainey, 2024, Parian Porcelain, solo exhibition at The Golden Thread Gallery. Image: Philip Sayer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/37677416-a042-4497-b351-776b73c4ef43/JR+Image+4_Installation+image+of+STATE+SHIFT%2C+2022%2C+John+Rainey+solo+exhibition+at+Berg+Gallery%2C+Stockholm_Image_Julija+Ruart.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY</image:title>
      <image:caption>Installation image of STATE SHIFT, John Rainey, 2022, solo exhibition at Berg Gallery, Stockholm. Image: Julija Ruart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667139773935-XRZJHK13Y6IJWZ1ZI5XQ/Installation+image+of+SLIP+TANK%2C+2021%2C+solo+exhibition+at+the+Naughton+Gallery%2C+Queens+University+Belfast_1.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY - Make it stand out</image:title>
      <image:caption>Installation image of SLIP TANK, 2021, John Rainey, solo exhibition at the Naughton Gallery, Queens University Belfast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667139728857-E1RPMI8QJO3176BNN582/Installation+image+of+SLIP+TANK%2C+2021%2C+solo+exhibition+at+the+Naughton+Gallery%2C+Queens+University+Belfast_2.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY</image:title>
      <image:caption>Installation image of SLIP TANK, 2021, John Rainey, solo exhibition at the Naughton Gallery, Queens University Belfast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1667434710747-7PLFJWRZ20XDI1LKM4KT/20221026+Household+Uphold+088.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY - Make it stand out</image:title>
      <image:caption>Erroneous Restoration Study #1, 2022. John Rainey, 24 x 9.5 x 6.8 cm, Jesmonite and 3D Print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/37e80c13-0fa6-45da-b9f0-ad08514c6773/JR+Image+6_Oculus+Venus%2C+2023%2C+Venato+Orto+di+Donna%2C+Grigio+Vagli+and+Nero+Marquina_Image_Silvia+Martinelli.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY - Make it stand out</image:title>
      <image:caption>Oculus Venus, John Rainey, 2023, Venato Orto di Donna, Grigio Vagli and Nero Marquina, Image: Silvia Martinelli</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/24d63bc4-4b3c-4b17-9069-3abd6b407cf3/JR+Image+5_72dpi_State+Shift%2C+2024%2C+Parian+porcelain_Image_Philip+Sayer.jpg</image:loc>
      <image:title>ARTIST JOHN RAINEY - Make it stand out</image:title>
      <image:caption>State Shift, John Rainey, 2024, Parian porcelain, solo exhibition at The Golden Thread Gallery. Image: Philip Sayer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-ailbhe-greaney-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/71a08af7-565f-4717-bf15-1aecb6acd92c/20220805+Golden+Thread+AIlbhe+Greaney+036.jpg</image:loc>
      <image:title>ARTIST AILBHE GREANEY - Ailbhe Greaney’s work centres around subjects of Migration, Empathy and The Impossible View. Using photography, text, video and installation, Greaney’s work challenges our unique perspectives and views of life today. Focusing on the physical view from the window, the work uses this as a starting point to explore our different visual perspectives through photography.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/9afed8fc-6a0c-4f71-b017-c753ab5dcd0a/20230811+Uphold+015.jpg</image:loc>
      <image:title>ARTIST AILBHE GREANEY - Make it stand out</image:title>
      <image:caption>The Light Beautiful (II): 13 Rue Des Beaux-Arts, Paris, 2014, Ailbhe Greaney, 76.2cm x 101.6cm (print only), Photograph printed on archival pigment paper mounted on aluminium Dibond Top Left: An installation shot of A Room Without a View, Ailbhe Greaney, The Golden Thread Gallery, Belfast, Northern Ireland, in 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/14718f62-d719-49e1-855b-14146a738cc7/20220805+Golden+Thread+AIlbhe+Greaney+003.jpg</image:loc>
      <image:title>ARTIST AILBHE GREANEY - Make it stand out</image:title>
      <image:caption>An installation shot of A Room Without a View, Ailbhe Greaney, The Golden Thread Gallery, Belfast, Northern Ireland, in 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/8df3554b-7788-4038-b199-e2adc9551191/20220805+Golden+Thread+AIlbhe+Greaney+016.jpg</image:loc>
      <image:title>ARTIST AILBHE GREANEY</image:title>
      <image:caption>An installation shot of A Room Without a View, Ailbhe Greaney, The Golden Thread Gallery, Belfast, Northern Ireland, in 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/f1bc28bd-27f3-4056-9c1d-d0ab3b984678/20230811+Uphold+014.jpg</image:loc>
      <image:title>ARTIST AILBHE GREANEY - Make it stand out</image:title>
      <image:caption>The Light Beautiful (I): 21 Westland Row, Dublin, 2014, Ailbhe Greaney, 76.2cm x 101.6cm (print only), Photograph printed on archival pigment paper mounted on aluminium Dibond</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-majella-clancy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/481dbcb9-7076-4a7a-9552-7a8034675310/Image02+%281%29.jpg</image:loc>
      <image:title>ARTIST MAJELLA CLANCY - Majella clancy’s practice is hybrid in its approach encompassing painting, printmaking and collage. It takes as its starting point found ephemera and material references that come out of an Irish rural experience and in particular their relationship to ideas of home and gendered space.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/cdbe391d-4917-485f-93f9-bd6db7663ecf/20230811+Uphold+013.jpg</image:loc>
      <image:title>ARTIST MAJELLA CLANCY - Make it stand out</image:title>
      <image:caption>Of A Body VI, 2023, Majella Clancy, 35cm x 48cm, Monotype Screenprint on Munken Smooth (GF Smith Paper). Top Left: Fold, 2023, Majella Clancy, 45cm x 64cm, Screenprint on Munken Smooth (GF Smith Paper) , Edition 1/1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/da7bc760-bea0-4f85-8d94-6b2a9f88f931/Image04.jpg</image:loc>
      <image:title>ARTIST MAJELLA CLANCY - Make it stand out</image:title>
      <image:caption>The Act, The Idea and The Thing, (detail), Collage, screenprint,  monoprint, paint, gesso, mixed media,  Dimensions variable, 2019 - 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/e9a916be-f451-4591-89f2-cdc9d305cfaa/Image01.jpg</image:loc>
      <image:title>ARTIST MAJELLA CLANCY</image:title>
      <image:caption>Of A Body IX, 2023, Majella Clancy, 32cm x 47cm, Screenprint on Munken Smooth (GF Smith Paper) , Edition 1/1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/6b68ea34-a13f-4847-8874-4e693a45a931/20230811+Uphold+008.jpg</image:loc>
      <image:title>ARTIST MAJELLA CLANCY - Make it stand out</image:title>
      <image:caption>Of A Body V, 2023, Majella Clancy, 35cm x 48cm, Monotype Screenprint on Munken Smooth (GF Smith Paper).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-caoimhin-gaffney</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/75c13d90-9eb9-4c8d-8891-7d079473d6cb/338410_6dca8d3d6d14dad9fad2dd9deed563f3+%281%29.jpg</image:loc>
      <image:title>ARTIST CAOIMHÍN GAFFNEY - CAOIMHÍN GAFFNEY'S WORK IN THE STILL AND MOVING-IMAGE USES INWARD-LOOKING MEDITATIONS WITH SURREAL SCENES AND IMAGES TO ENVISION ALTERNATIVE WAYS OF BEING AND WORLDS WITH THEIR OWN LOGIC AND POSSIBILITIES.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/b94204fb-a506-4baa-8eba-7b4e3544bc55/20230811+Uphold+005.jpg</image:loc>
      <image:title>ARTIST CAOIMHÍN GAFFNEY</image:title>
      <image:caption>Emerging too damp to catch fire, 2023, Caoimhín Gaffney, 35cm(w) x 25.6cm(h), Medium format photograph, Giclée printed on Hahnemühle Photo Rag paper Above left: Still from Expulsion, 2021 Caoimhín Gaffney, (30 minutes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/272ae480-ccd6-49b6-9fec-c67562bb560b/Solo-exhibition-Block-336-London-2017b+%281%29.jpg</image:loc>
      <image:title>ARTIST CAOIMHÍN GAFFNEY - Make it stand out</image:title>
      <image:caption>Installation view, A Numbness in the Mouth, Caoimhín Gaffney, Block 336, London, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/a6ac1bd7-d61f-482d-8388-18501e690379/Solo-exhibition-crawford-art-gallery-2020c+%281%29.jpg</image:loc>
      <image:title>ARTIST CAOIMHÍN GAFFNEY</image:title>
      <image:caption>Installation view of “Retelling Dr James Miranda Barry and John Joseph Danson”, 3 minute video, opposite “Portrait of James Barry and Edmund Burke in the characters of Ulysses and his companion fleeing from the Cave of Polyphemus” by artist James Barry, 1776. Crawford Art Gallery, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-joy-gerrard</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/b87af3fb-5f99-4960-822f-8c9f884ca0b0/Joy-Gerrard-Precarious-Freedom-at-Butler-Gallery_Installation-View2.png</image:loc>
      <image:title>ARTIST JOY GERRARD - jOY Gerrard makes drawings and paintings that investigates different systems of relations between crowds, architecture and the built environment.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/0151c3bf-d2d6-45ee-a6f9-89cbb7a49328/20231019+Joy+Gerrard+006.jpg</image:loc>
      <image:title>ARTIST JOY GERRARD</image:title>
      <image:caption>Put it to the People, London (colour and pins), Joy Gerrard, giclee print, pins, sticker mounted on board, 2023. Above left: Installation view of Precarious Freedom: Crowds, Flags, Barriers, Joy Gerrard, The Butler Gallery, Kilkenny, Ireland, 2022. (Photography: Ros Kavanagh)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1b020fb2-4bf2-4985-bb6c-8a6e0048d91b/Joy-Gerrard-Precarious-Freedom-at-Butler-Gallery_Dark-Europe-28-Flags-2021.png</image:loc>
      <image:title>ARTIST JOY GERRARD - Make it stand out</image:title>
      <image:caption>Installation view of Precarious Freedom: Crowds, Flags, Barriers, Joy Gerrard, The Butler Gallery, Kilkenny, Ireland, 2022. (Photography: Ros Kavanagh)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/79659a72-ba23-4534-afbf-08f16fa8b9ec/6_joygerrard.jpeg</image:loc>
      <image:title>ARTIST JOY GERRARD</image:title>
      <image:caption>Protest and Remembrance, Joy Gerrard, Protest Crowd, London ( Brexit 2, June 2018 ) 2018. Ink on paper mounted on aluminium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/3d3d71bb-1536-4358-af11-187c26a3f014/11_joygerrard_wip.jpg</image:loc>
      <image:title>ARTIST JOY GERRARD - Make it stand out</image:title>
      <image:caption>Work in progress on drawing, Joy Gerrard, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-sighe-b-c</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/5a85c810-8c90-4980-87e7-e17afaa717db/%27The+Occasional+Man%27%2C+installation+shot%2C+immersive+site+specific+film+for+Havelock+House%2C+made+in+collaboration+with+Richard+Martin+for+Belfast+Film+Festival%2C+in+partnership+with+Northern+Ireland+Screen+Digital+Film.png</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL - Sighle Bhreathnach-Cashell works across installation, film, activism and more recently printmaking. Her work explores how our environment (physical/social/fictional) affects our behaviour and sense of identity.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/73dc119f-78be-4367-a0de-74a8cbd3c5ba/Screenshot+2024-08-11+at+14.21.38.png</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL</image:title>
      <image:caption>Celtic Roots I : Ulster Cycles, Sighle Bhreathnach-Cashell, Aquatint Etching on Copper Plate, 2024. Above left: Installation shot, The Occasional Man, immersive site specific film for Havelock House, Sighle Bhreathnach-Cashell, made in collaboration with Richard Martin for Belfast Film Festival, in partnership with Northern Ireland Screen Digital Film Archive and Flax Studios, 2020 (photo credit Stu Calvin)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/ec76b930-bbd8-440a-9c84-7f40074376d5/%27Scripted+Cities_+Belfast%27%2C+%28work+in+progress%29+film+still%2C+2020+20+20.jpg</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL - Make it stand out</image:title>
      <image:caption>'Scripted Cities: Belfast', (work in progress), Sighle Bhreathnach-Cashell, film still, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/8b6722f8-61c0-4d9b-9434-a97ca7da76b5/Screenshot%2B2024-08-11%2Bat%2B14.21.16.png</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL - Make it stand out</image:title>
      <image:caption>Celtic Roots II : Ulster Cycles, Sighle Bhreathnach-Cashell, Aquatint Etching on Copper Plate, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/636e634c-38cc-431a-b745-208d58932aca/%27Postcard+III%27%2C+digital+collage%2C+Array+Collective%2C+for+%27An+D%C3%BAn%27+installation+in+%27Self-Determination_+A+Global+Perspective%27+Irish+Museum+of+Modern+Art%2C+2023.png</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL</image:title>
      <image:caption>'Postcard III', Sighle Bhreathnach-Cashell, digital collage, Array Collective, for 'An Dún' installation in 'Self-Determination: A Global Perspective' Irish Museum of Modern Art, 2023.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/3e44a2e8-9868-4609-afce-2013e5466f5d/Aquatinting+copper+plates+at+Belfast+Print+Workshop.jpg</image:loc>
      <image:title>ARTIST SIGHLE BHREATHNACH-CASHELL - Make it stand out</image:title>
      <image:caption>Studio image, Sighle Bhreathnach-Cashell, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-lorraine-burrell</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/fa48054e-1b93-4e4a-8df8-420e12f4d32f/20160507-golden-thread-070.jpg</image:loc>
      <image:title>ARTIST LORRAINE BURRELL - Lorraine Burrell’s practice is concerned with documenting the female body in a variety of spaces.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/205c9572-fbcb-48ed-ab22-900c47a719e7/image.jpg</image:loc>
      <image:title>ARTIST LORRAINE BURRELL</image:title>
      <image:caption>Egg, Lorraine Burrell, Medium format B&amp;W Giclee print on Hahnemuhle fine art satin paper, 2024. Above left: Installation shot of THESE DAYS ARE PERSISTENT AND CHANGEABLE, Lorraine Burrell, Golden Thread Gallery, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c4db688f-93a9-4bd8-a67c-6f4b32396b9a/Studies+%28detail%29+Crawford+Gallery+Cork++2010+jpg.jpg</image:loc>
      <image:title>ARTIST LORRAINE BURRELL - Make it stand out</image:title>
      <image:caption>Installation Shot, Studies, Lorraine Burrell, Black and White Lightjet Print, Crawford Gallery, Cork, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/1a278bf0-fedb-44db-98d6-a5c34186e7df/12.jpg</image:loc>
      <image:title>ARTIST LORRAINE BURRELL</image:title>
      <image:caption>Studies, Lorraine Burrell, Black and White Lightjet Print, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/0ecda689-5613-4956-97da-ee393459b479/deflated-vinyl-billboard-and-bungee-cord-size_-variable-2016.jpg</image:loc>
      <image:title>ARTIST LORRAINE BURRELL - Make it stand out</image:title>
      <image:caption>Deflated, Lorraine Burrell, vinyl billboard and bungee cord, THESE DAYS ARE PERSISTENT AND CHANGEABLE, Golden Thread Gallery, 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-locky-morris</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/9f3c64da-94f8-4b3b-8472-6db4cd6bafed/locky.jpg</image:loc>
      <image:title>ARTIST LOCKY MORRIS - Locky Morris' works move fluidly between the personal, public and political and are informed by the complexities and intricacies of his immediate landscape.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/91130b99-c811-4db6-87e1-e28170299da8/15.Floaters_Locky.jpg</image:loc>
      <image:title>ARTIST LOCKY MORRIS</image:title>
      <image:caption>Floaters, Locky Morris, Photo print on aluminium Dibond, 2021. Above left: Re_sett_ing_s, Locky Morris, installation view at The Void, Derry, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/35394c39-d1f2-45be-bade-edda719671da/3.Last+Chance+for+a+dark+wash+2023+LM+%281%29.jpg</image:loc>
      <image:title>ARTIST LOCKY MORRIS - Make it stand out</image:title>
      <image:caption>Last chance for a dark wash, Locky Morris, installation view at Regional Cultural Centre, Letterkenny, Donegal, Ireland, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/0a47f7e9-cc4c-476c-9e89-ee6f3e69d622/2.Last+Chance+for+a+dark+wash+2023+LM.jpg</image:loc>
      <image:title>ARTIST LOCKY MORRIS</image:title>
      <image:caption>Last chance for a dark wash, Locky Morris, installation view at Regional Cultural Centre, Letterkenny, Donegal, Ireland, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/345259fb-e79d-49ae-98de-6209839ee309/4.Last+Chance+for+a+dark+wash+2023+LM.jpg</image:loc>
      <image:title>ARTIST LOCKY MORRIS - Make it stand out</image:title>
      <image:caption>Last chance for a dark wash, Locky Morris, installation view at Regional Cultural Centre, Letterkenny, Donegal, Ireland, 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-chris-steenson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/41b88345-596d-4c71-b479-df39397e1ebc/Christopher-Steenson_00004.jpg</image:loc>
      <image:title>ARTIST CHRISTOPHER STEENSON - Christopher Steenson’s work spans sound, lens-based media, text and digital systems. Through these processes, he makes work in which we can ‘listen to the future’, by bridging historical and speculative narratives that explore the politics of time, environment and more-than-human-relations.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/504e0a31-13ee-4aaf-9cbd-f16a20112947/Christopher-Steenson_The-Long-Grass-Prints_00003_Belfast+Newsletter%2C+22+July+1995%2C+p.+17.jpg</image:loc>
      <image:title>ARTIST CHRISTOPHER STEENSON</image:title>
      <image:caption>Above: Belfast Newsletter, 22 July 1995, p. 17, Christopher Steenson, 2024, screenprint on paper made from grass where the corncrake used to call. Edition of 3 + 3 AP. 19.5 × 13.5 cm (unframed). Installation view, ‘The Sky is Falling!’, Ormston House, Limerick, Ireland, 2024. Photograph by Jed Niezgoda, courtesy the artist and Ormston House.  Top left: The Long Grass, Christopher Steenson, Installation view, ‘mother tongue’, The MAC, Belfast (26 April – 1 July 2024), Photograph by Simon Mills, courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/da70d828-ab86-430a-9afb-c02e6040250f/Christopher-Steenson_00007.jpg</image:loc>
      <image:title>ARTIST CHRISTOPHER STEENSON - Make it stand out</image:title>
      <image:caption>Let it run all over me, Christopher Steenson, 2023, 4-channel site-specific sound work with horse skull, theatre lighting, field recordings and resonances. Installation view, Lagan Weir Underwater Tunnel. Photograph by Simon Mills, courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c5f670e8-695e-4c9f-890b-506b71f2de4e/Christopher-Steenson_00006.jpg</image:loc>
      <image:title>ARTIST CHRISTOPHER STEENSON</image:title>
      <image:caption>Soft Rains Will Come, Christopher Steenson, 2022, Installation view, VISUAL Centre for Contemporary Art, Carlow, Ireland, Photograph by Ros Kavanagh, courtesy of the artist and the Arts Council of Ireland Visual Art Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c137be8b-ce6a-42d9-aa9a-7cf764a49a5f/Christopher-Steenson_00010.jpg</image:loc>
      <image:title>ARTIST CHRISTOPHER STEENSON - Make it stand out</image:title>
      <image:caption>I never thought something like that could happen here, Christopher Steenson, 2022, hand-printed c-type print on archival photo paper. Installation view, VISUAL Centre for Contemporary Art, Carlow, Ireland. Photograph by Frank Abruzzese, courtesy the artist and the Arts Council of Ireland Visual Art Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-jacqueline-holt</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/7bd0e8c8-c91a-4ae2-870f-82254202a97e/7.+Belfast+Workshop+1.jpg</image:loc>
      <image:title>ARTIST JACQUELINE HOLT - JACQUELINE HOLT draws upon personal experience as a lens through which to examine the cultural and political landscape. her practice spans video, sculpture, print, and photography, with a focus on the realisation of ideas rather than adherence to a specific medium.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/f09b8f92-eee2-48a7-8340-9532d115a8c8/Scarf+boxed+with+card.jpg</image:loc>
      <image:title>ARTIST JACQUELINE HOLT</image:title>
      <image:caption>Above: International Style, Jacqueline Holt, 2024, Silk twill, Scarf, 65cm x 65cm Top left: Belfast Workshop, Jacqueline Holt, 2023. Video, courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/eafc0cbd-b1c3-4108-9863-4ad3369ae75a/6.+she+follows+from+the+front-wall+hanging.jpg</image:loc>
      <image:title>ARTIST JACQUELINE HOLT - Make it stand out</image:title>
      <image:caption>She follows from the front, Jacqueline Holt, 2024, Damask, silk, wood, Wall hanging, Betwixt at Mimosa House, London 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/45518e95-a150-4219-a25e-142a528042fd/1.+%27I+love+you+I+love+you+Ilove+you...%27+2024+silk+hangingThe+MAC+Mother+Tongue+008.jpg</image:loc>
      <image:title>ARTIST JACQUELINE HOLT</image:title>
      <image:caption>I love you, I love you, I love you..., Jacqueline Holt, 2024, Silk hanging, mother tongue, MAC Belfast. Photo: Simon Mills, courtesy of the MAC</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-niamh-clarke</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/e36e3629-8426-4cfb-9189-bceae0c2cd69/Niamh+Clarke+-a+hands+breath+%28after+woodman%29+%282023%29+Graphite+on+Paper+-+Image+Credit+Gerry+Grace.jpg</image:loc>
      <image:title>ARTIST NIAMH CLARKE - Niamh Clarke’s practice centres on drawing, extending into written prose, watercolour, and Super 8 film as expanded forms of mark-making. Her work explores the poetics of memory and the passage of time, using drawing as both a method of inquiry and a temporal trace.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/6c057f93-ec55-4c25-8ad3-1e5b448cfd37/E1red01.jpeg</image:loc>
      <image:title>ARTIST NIAMH CLARKE</image:title>
      <image:caption>Above: Head, Heart, Hand (Black Mountain College Series), 2025, Niamh Clarke, Digital Print on Paper with Stitch and Text. Top left: a hands breath (after woodman), Niamh Clarke, 2023, Graphite on Paper. Photo: Gerry Grace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/6d3855a5-5ea5-4e07-a6cb-41bbfb7c09f3/Stretched+on+Your+Grave%282023%29+Silverpoint+on+Paper+-+Image+Credit+Ignatius+WalshInstall+at+Sligo+.JPEG</image:loc>
      <image:title>ARTIST NIAMH CLARKE - Make it stand out</image:title>
      <image:caption>Stretched on Your Grave, Niamh Clarke, 2023, Silverpoint on Paper. Photo: Ignatius WalshInstall at Sligo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/e7493393-c6c5-4a61-ae0d-d47d9a0bf955/Niamh+Clarke+-+Heavy+are+the+Seas+%282023%29Graphite+on+Paper+-+Image+credit+Gerry+Grace.jpg</image:loc>
      <image:title>ARTIST NIAMH CLARKE</image:title>
      <image:caption>Heavy are the Seas, Niamh Clarke, 2023, Graphite on Paper. Photo: Gerry Grace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/f6fa2afa-66a0-4644-8eb2-fbf50bd3e57a/Drawing+Class+III+%282023%29+Graphite+on+Paper+-+image+credit+Gerry+Grace.jpg</image:loc>
      <image:title>ARTIST NIAMH CLARKE - Make it stand out</image:title>
      <image:caption>Drawing Class III, Niamh Clarke, 2023, Graphite on Paper. Photo: Gerry Grace</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-kanich-khajohnsri</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/888aafc6-fe59-46b3-b7b9-8c8264c39c32/Screenshot+2025-07-29+at+13.51.36.png</image:loc>
      <image:title>ARTIST KANICH KHAJOHNSRI - Kanich Khajohnsri's practice consistently delves into the complex interplay of space, demarcation, and overlap. His artistic inquiry is deeply rooted in his perceptive observations of Bangkok's urban fabric, where he illuminates the profound ambiguity that arises when private interests and ownership begin to permeate and blur with traditionally public domains.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/4403cf02-efc8-49c8-bd0d-40ba72b512c8/20250627+Household+002.jpeg</image:loc>
      <image:title>ARTIST KANICH KHAJOHNSRI</image:title>
      <image:caption>Above: HAND, 2025, Kanich Khajohnsri, Inkjet on paper with custom black wood box frame with Artglass (Anti-reflective/UV protection), 45 × 32.5 cm Top left: Area-Transform, 2017, Kanich Khajohnsri, Bangkok Art &amp; Culture Centre, Bangkok, Thailand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/7ab74339-c117-4a07-8ffb-8a29440f42ea/Screenshot+2025-07-29+at+13.47.27.png</image:loc>
      <image:title>ARTIST KANICH KHAJOHNSRI</image:title>
      <image:caption>POSSESSION, (Installation shot) Kanich Khajohnsri, 2024, Palm House, Botanic Gardens, Belfast. Photo: Simon Mills</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/a2cc6ff7-02b6-4357-95d2-c2fd18907a31/Screenshot+2025-07-29+at+13.59.37.png</image:loc>
      <image:title>ARTIST KANICH KHAJOHNSRI - Make it stand out</image:title>
      <image:caption>The Landscape has eaten by dream (ideal), Kanich Khajohnsri, 2019, A. Farm, Ho Chi Minh City, Vietnam.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-sinad-oneill-nicholl</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/22b37631-179e-4eb9-ba12-27605b715af5/Image+credit+John+D%27Arcy.+love+reimagine</image:loc>
      <image:title>ARTIST SINÉAD O’NEILL-NICHOLL - Sinéad O’neill-Nicholl has a research based practice and works predominantly with sound and light to create installation and performance art. With a focus on manipulating sound recordings using mixing skills and audio editing software techniques, Sinéad examines language in the context of justice and investigates the connection between communication channels and identity bias.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/82e34be9-7f41-4c65-b413-f9974a699833/20250627+Household+011.jpeg</image:loc>
      <image:title>ARTIST SINÉAD O’NEILL-NICHOLL</image:title>
      <image:caption>Above: pkt of old holborn, 2025, Sinéad O’Neill-Nicholl, Emerald Green Frosted Perspex™ with laser engraving (A4)  Top left: love reimagined; hear more, feel more, 2024, Sinéad O’Neill-Nicholl, Image credit John D'Arcy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/9101e7a9-3c92-48da-8cde-bcfd4cce552c/Screenshot+2025-06-10+at+12.02.57.png</image:loc>
      <image:title>ARTIST SINÉAD O’NEILL-NICHOLL - Make it stand out</image:title>
      <image:caption>an comh ghol, Sinéad O’Neill-Nicholl, 2021, performance, FIX21, Catalyst Arts Belfast, Image credit. Ben Malcolmson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/dc227491-6b0f-448f-a770-028048a17f67/Screenshot+2025-06-10+at+12.03.17.png</image:loc>
      <image:title>ARTIST SINÉAD O’NEILL-NICHOLL</image:title>
      <image:caption>The C word, paradox and optimism of the will, Sinéad O’Neill-Nicholl, 2022, sound installation, granite, water, carbon and stone, University of Atypical, Belfast. Image credit. Stuart Calvin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/4d85b044-ddff-469f-b26d-a2cc91736d11/20250627+Household+003.jpeg</image:loc>
      <image:title>ARTIST SINÉAD O’NEILL-NICHOLL - Make it stand out</image:title>
      <image:caption>distill in a tumbler, 2025, Sinéad O’Neill-Nicholl, Blush Pink Frosted Perspex™ with laser engraving (A4)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-emily-mc</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/999c1e01-84db-4849-8e8f-38cf2d2d5261/1.jpeg</image:loc>
      <image:title>ARTIST EMILY MCFARLAND - Emily McFarland is an artist working primarily in film. Rooted in documentary forms, her work explores how shared cultural, social, geological, and ecological narratives are constructed and retold over time.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/79a657e8-116c-4cfc-9117-6336e39c3b90/20251128+Household+002.jpeg</image:loc>
      <image:title>ARTIST EMILY MCFARLAND</image:title>
      <image:caption>Above: Pollanroe Burn (Saturday’s moon was said to go mad nine times), 2025, Emily McFarland, 16mm Film, Giclée printed on Hahnemühle Photo Rag Top left: Black Bog (2021), Shallow and deep (2021), Emily McFarland, 39th EVA International Platform Commissions. Courtesy the Artist and EVA International. Photo: Jed Niezgoda</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/cdc14e36-0362-4086-a076-6d8be1241e93/6.jpg</image:loc>
      <image:title>ARTIST EMILY MCFARLAND - Make it stand out</image:title>
      <image:caption>Cloudberry (After M.P.H. Kertland), 2025, Emily McFarland, Installation view, Pollanroe Burn (solo exhibition) at Void, Derry. Courtesy the Artist and Void. Photo: Simon Mills</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/947a7d45-9a56-45b0-8ca5-84d64f7598ae/4.jpg</image:loc>
      <image:title>ARTIST EMILY MCFARLAND</image:title>
      <image:caption>Haugheys Bog (2025), Still from 16mm Film, Colour. Duration: 25 Minutes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/fbbac71e-254a-4a3e-b506-9740d5914218/20251128+Household+003.jpeg</image:loc>
      <image:title>ARTIST EMILY MCFARLAND - Make it stand out</image:title>
      <image:caption>Pollanroe Burn (all the leaves - waterleaves - were turning brown like rust round the edges), Emily McFarland, 2025,16mm Film, Giclée printed on Hahnemühle Photo Rag.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/artist-amanda-rice</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/feb2980c-1bc1-4c7d-acbe-abe7801f9653/Amanda+Rice+SET+Film+Festival.webp</image:loc>
      <image:title>ARTIST AMANDA RICE - Amanda Rice is an artist based between Belfast and London, working primarily with moving image and sound. Her practice explores material histories connected to ecological and geological subjects, extending into the politics of land use, mineralogy, and the speculative or obscured histories embedded within landscapes and extracted matter.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/8dc2ae8c-3b98-43bf-b406-7d098dfbd2af/20251128+Household+034.jpeg</image:loc>
      <image:title>ARTIST AMANDA RICE</image:title>
      <image:caption>Above: Dead Lines, Amanda Rice, 2025, Hahnemuhle Photo Rag, 420 x 594 mm Top left: 6 ‘No One Can Ever Embargo the Sun’, Amanda Rice, HD Video, (SET Film Festival, 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/53b6a3a7-3a02-4d6e-8edc-74d6de76e91d/Screenshot+2025-11-25+at+11.50.06.png</image:loc>
      <image:title>ARTIST AMANDA RICE - Make it stand out</image:title>
      <image:caption>‘The Flesh of Language, Amanda Rice, HD Video, 19 minutes, Installation Image, SIRIUS Art Centre, Cobh, Cork, Ireland, Solo show curated by Miguel Amado</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/e65a2367-46bb-4bef-b4dd-56a215f47369/No+one+can+ever+embargo+the+sun_still.webp</image:loc>
      <image:title>ARTIST AMANDA RICE - Make it stand out</image:title>
      <image:caption>Still from No One Can Ever Embargo the Sun, Amanda Rice, 2020/2021 HD Video with Sound, duration 20 mins 29 secs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/d1379b18-6d49-431e-ab1b-4ca47f3924f9/Screenshot+2025-11-25+at+11.55.06.png</image:loc>
      <image:title>ARTIST AMANDA RICE</image:title>
      <image:caption>‘Magical Body’, Radio Play, Amanda Rice collaboration with Jo Pester, Duration 24mins 30 (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/604f3fd76c8eba3fe77211f9/c6034674-1867-4db5-aaa1-e82838463a1f/Energy+is+forever_web.jpg</image:loc>
      <image:title>ARTIST AMANDA RICE - Make it stand out</image:title>
      <image:caption>Energy is Forever, Amanda Rice, 2025, Hahnemuhle Photo Rag, 420 x 594 mm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-20</lastmod>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-09</lastmod>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/ailbhe-greaney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-01</lastmod>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/aisling-obeirn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-04</lastmod>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/alex-synge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
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  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/amanda-rice</loc>
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    <lastmod>2025-12-03</lastmod>
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  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/array-collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-05</lastmod>
  </url>
  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/bassam-al-sabah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-24</lastmod>
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  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/caoimhn-gaffney</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-11-16</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
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  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/emily-mcfarland</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-12-09</lastmod>
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    <changefreq>monthly</changefreq>
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    <lastmod>2025-07-29</lastmod>
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  <url>
    <loc>https://www.upholdart.co.uk/shop/filter-by-artist/jan-mccullough</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-02</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-08</lastmod>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-16</lastmod>
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    <changefreq>monthly</changefreq>
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    <lastmod>2025-07-29</lastmod>
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